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Harry Potter and the Prisoner of Azkaban products assessment

A coward dies a thousand deaths, a player of the recent Harry Potter and the Prisoner of Azkaban dies but once. And that’s exclusive if you’re really terrible at it. The new PC game, based off the third book in the wildly popular series, arrives alongside the current film version of the story and, though it is in many ways a definite improvement over Potters past, there’s far too drastically hand-holding and spoon-feeding in the game’s puzzles and fighting sequences for it to ever feel like much of a challenge.

Before launching into the look at, I should mention that I haven’t yet seen the movie. Those around the office who have seen the film tell me that some of the main plot elements are present here but the actual encounters and gameplay challenges are almost entirely unconnected with the events of the film. So while the plot of the game does indeed involve an escaped prisoner who seems to have it in for Harry, and while the malevolent and distrustful Dementors are still hunting him decrease, the salamander-freezing, toothed-book shooting, ice sliding, rabbit-statue animating gameplay is entirely the game’s invention.

Combat is the most open-ended part of the game but, even so, you’ll rarely have the opportunity to try anything terribly sophisticated. In most cases, you’ll simply be presented with a few enemies (never more than six at a time) right in front of you. Taking them out never really involves any puzzle elements; you’ll simply take to point the mouse at the enemies and click harry potter and the prisoner of azkaban pdf. There are some more complicated moments — having to hold enemies at bay a la Tapper, flipping in excess of enemies and pushing them over ledges, freezing the flame that spawns monsters — but for the most part the combat is, as the rest of the game, very low-impact.

You don’t have to draw spells this duration, for instance. Where earlier you were sometimes required to draw specific outlines with your mouse in order to cast spells, this time around, you just get to point the mouse at an interactive object and click the left mouse button. The correct spell will be cast automatically. And how do you find these objects in the world? Well, for the most part, they should be obvious. Lapifors transforms rabbit statues into real, controllable bunnies; Glacius freezes both fountains and fire salamanders; Carpe Refractum extracts your character to large, rather obvious blue spheres. In all cases this is simply point and click. The only real challenge is the Expecto Patronum spell where you have to time the passing of the spell just right in order for it to be effective. In the case of environmental objects, you’ll only have to look for things marked with a giant red chevron in order to be familiar with which objects can be affected by spells.

Many of the game’s challenges are managed for you so much that the entire game feels a bit like a tutorial for a harder challenge that never comes. This is particularly true of the puzzles where you’re actually instructed how to solve each and every one. There’s only one solution to each puzzle and, though there are some secret, optional areas you can reach through more enthusiastic exploring, there’s no room to find your own solutions to a given problem. In any case, the path by way of to your next challenge is always obvious and rarely challenging. Even some of the game’s jumping puzzles are managed for you. Simply jump on a green jump tile and you’ll automatically be directed to a scripted landing spot.

There are a few puzzles that require you to use multiple characters to escape traps or perform more powerful spells. Unfortunately this cooperative puzzle solving merely relies on pre-scripted switching from one character to different or a follow-the-leader mechanic anywhere your nearby friends automatically prepare to cast whatever spell you’re throwing. It would be much more interesting to have the individual characters progress along three a variety of paths, opening up new areas for each other as they switch back and forth.
The bean, pumpkin and cake collecting that pervades the game has no practical benefit for your character during the game, leaving you to wonder what the point is. In fact, the only real use for the beans and such is as currency to buy wizard trading cards. You can even use these to gain access to secret cities of the game where you can collect even more beans. The whole point of this is to get 100% of the items and secrets in the game and qualify for third-year school. But since you can actually finish the plot of the game without grabbing each and every little bean and card, there’s little incentive to get new cards. Perhaps if they allowed for some sort of gameplay upgrades based on collecting sets of cards it would be more compelling. As it is, it seems like an arbitrary mechanic chucked in for the sake of keeping the player busy.

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Harry Potter and the Order of the Phoenix courses Analysis

Harry Potter, you’re my hero. Sure, you’ve defeated a three-headed dog and a giant snake in your movies, yet now, you’re pulling off magic tricks in real life — Harry Potter and the Order of the Phoenix is the first movie tie-in videogame of the summer that I’ve actually had several fun playing.Ten points for Gryffindor.In case you’re a big lame-o and didn’t be familiar with it, Harry Potter and the Order of the Phoenix storms into movie theaters in July and follows Harry, Ron and Hermione through their fifth year at Hogwarts School of Witchcraft and Wizardry. Harry’s keen on the idea that He Who Shall Not Be Named is back and when the new Defense Against the Dark Arts professor refuses to teach defensive spells, Harry and the Potter Posse take matters through their own hands.
Now, creating a game based on Harry’s exploits can’t be easy for developers. These two-plus-hour movies aren’t exactly packed with action what with Harry and his friends always talking, hanging out and going to class. Over the years, game makers have had to figure out what parts in the franchise work in the videogame industry and what parts don’t — the results have been mixed as gamers have been subjected to weak games of quidditch and lackluster fight sequences.Although it’s flawed, Order of the Phoenix touches on what a Harry Potter game should be. Rather than trying to create move, EA tries to focus on making you feel like you’re living in Hogwarts. The school’s recreated hallway-for-hallway from the blueprints used to mold the movie version, the art pieces in the Grand Staircase move, students mingle around the campus and react differently to Harry based on which house they’re from, and there are no load times as you go from forest to classroom to Gobstone match on your PC.Although the movie’s storyline is in the mix — there are more than 35 duties for Harry to accomplish to keep the tale moving — the game is geared towards your personal exploration of Hogwarts. You’ll learn six non-combat spells: push things backward with Depulso, smash content with Reducto, etc. — that will become your bread-and-butter. See, Hogwarts is one of those sandbox environments us videogame folk like to talk about so much. If you wished to, you could just wander around the school using Wingardium Leviosa to place paintings on the wall or Reparo to fix broken pots — each move unlocks some of the 4,360 discovery points hidden available the place that make Harry’s spells more powerful and unlock secrets in Moaning Myrtle’s Room of Rewards.
So with the schooling covered, EA pushed the your-in-the-movie vibe further and did away with any kind of HUD. Order of Phoenix’s screen is devoid of any radar, health bar, trick meter or videogame cliché you can think of. Aside from the name of whatever room you just entered popping up in the top left corner for a moment, this game looks love you’re watching something on TV — but that’s not to say you’re completely on your own. Although there’s no gigantic arrow pointing out the way you’re supposed to run, harry potter and the order of the phoenix pdf doesn’t leave you lost in the confusing seven-story school — it palm you your very own copy of the Maurader’s map. If you’ve seen the movies, you probably remember the Rand McNally version of the boarding school — a dried, yellow-colored piece of parchment that contains the entire Hogwarts layout and can track anyone in the building. In the game, you’ll tap the Tab icon to bring up the map and then left (for locations) or right (for people). Once you pick out the person or place you need to go visit, a diamond pinpoints the spot on the map, you close it via the Tab button and the inky footprints which plotted people in the movie sprawl out before Harry on-screen. You follow the prints to get to every chosen location or person.Bravo, EA.

Harry Potter and the Half-Blood Prince records analysis

Let’s just obtain this out of the way: there will never be a great film based on a Harry Potter book. The series by J.K. Rowling is too dense with characters, packed with references, suffused with a bookishness that no amount of CGI can replicate. Once we realize this, and accept that the increasingly enjoyable series of Harry Potter movies will never reach the rousing heights of the source material, going into the latest wizarding adventure gets a lot increased pleasant.

And Harry Potter and the Half-Blood Prince, despite a range narrative threads and character arcs left dangling in the transfer, is by far one of the best of the series, and absolutely the funniest and most human. The last film that will be set largely at Hogwarts, Half-Blood Prince leaves room for its characters and the world which inhabit to breathe, returning to things such as Quidditch and Christmas parties and the “frivolous” things that make Rowling’s writing such a joy. Aided by some stellar supporting players, including the tremendous Jim Broadbent as bombastic new professor Horace Slughorn, the film earns big laughs where earlier films felt more morose than magical. It’s not a light film by any means, but Half-Blood Prince feels less hellbent on plot development, furthermore therefore a lot more fun.

Returning to Hogwarts for his sixth year, harry potter and the half blood prince pdf (Daniel Radcliffe, blank and serviceable) is convinced, because ever, that nemesis Draco Malfoy (Tom Felton, aging marvelously) is ahead to no good. But this experience he’s right– Malfoy has been given a mysterious directive from Voldemort himself, and Professor Snape (Alan Rickman, delicious) has vowed to help him. As Malfoy completes a mysterious task in a hidden corner of the castle, Harry and Dumbledore (Michael Gambon) delve inside memories of Voldemort’s past, hoping to discover the key to destroying him for good.

On the other hand, there tend to be equally important things on consider, like Hermione’s (Emma Watson) growing feelings for the dopey Ron (Rupert Grint, turning into a stellar comedian), who has gotten caught increase in a lovey-dovey relationship with Lavender Brown (a hilarious Jessie Cave). Harry, for his part, can’t stop staring at Ron’s little sister Ginny (Bonnie Wright). Evanna Lynch is also back as the wondrous space cadet Luna Lovegood, and Freddie Stroma is funny being the egomaniacal Cormac McLaggen, some sort of challenger for Ron’s spot on the Quidditch team and for Hermione’s affections.

Employing a dark and stormy color palette that’s effective if perhaps not particularly interesting, director David Yates makes his best choices in transitioning from scene to scene. In one particular corner of the castle, Ron kisses Lavender; in another, Malfoy stalks up a set of stairways on his uncertain mission. Taking place almost entirely within Hogwarts, the film possesses a nice claustrophobia, as you imagine an actual boarding educational institution full of wizards might feel. It’s a good chance to say goodbye to the old place

The book boasted very little action, and a new field is stupidly added midway through the movie as a replacement for a climactic final battle that is cut entirely. But the book’s best and most terrifying scene, in which Harry and Dumbledore explore a cave that holds one of Voldemort’s treasures, is executed perfectly. Dumbledore has previously always been an aloof and good-hearted figure, beloved but distant, but when he and Harry embark on their multiple adventures, he becomes much more like a partner. It’s yet another step on Harry’s road toward maturity date, and for all the ways his acting falters elsewhere, Radcliffe grips the transition deftly.

Packed as it is with Quidditch and Christmas parties and the occasional dark magic, Half-Blood Prince does manage to drag in parts, mostly the serious ones in which plot development apparently requires long pauses to become clear. But the comic scenes are so light and enjoyable in contrast that the pace keeps up despite itself. For the a large number of part all the cuts made from the book are good ones, trimming the fat and such, but the presence of characters like Bellatrix Lestrange (Helena Bonham Carter) at the end no longer tends to make any sense with the final battle missing. For all the brilliance Yates and screenwriter Steve Kloves show in condensing the story, the movie, like all the others, arrives at an ending that feels less earned than inevitable.

As a Potter fan it’s easy to nitpick– Snape’s final scene is a letdown, Ginny is converted into a total snore– but that’s not the point of the films. It’s a chance to marvel at the visuals of Hogwarts, seeing Professor Slughorn turn into an armchair and Hermione attack Ron with a flock of birds. The fact that there’s a heart under all the digital wizardry is a testament to how far the series has come, and how well Yates knows the world that, in the end, he will have helped create as much as Rowling. We’d love Harry’s newest adventure no matter what, sadly thankfully, this one earns our devotion.

Harry Potter and the Goblet of Fire records overview

Based on an individual of the best books of the Harry potter and the goblet of fire pdf series, the film adaptation of ‘Harry Potter and the Goblet’ had a lot to live up to and I think it succeeded. As Potter fans will know, in GoF, Harry is now fourteen and in his Fourth Year at Hogwarts. When some kind of ancient tournament between Hogwarts and two other European wizarding schools is held that year, a Seventh Year contestant is chosen from each school to compete but things head dramatically awry when Harry, three years too young to even be entered in the dangerous and challenging tournament, is somehow also chosen after his name is mysteriously nominated. GoF is a sharp turning point in the ebooks as the tone darkens considerably and the characters themselves change from being rather wide-eyed innocent children to adolescents thrust the turbulent, uncertain adult world where being ‘good’ or even an innocent will not guarantee your survival. This shift is also reflected in the film, which was actually rated 12A (PG13 for Americans), the first of the HP films to be rated so high.

I enjoy to say I did enjoy this film, although Prisoner of Azkaban remains my favourite of the four. Unlike the first two films, this did not attempt to condescend when much to small children in the audience. The tasks of the Triwizard tournament captured most of the thrills of the guide, particularly the second water-based task where the merpeople were suitably creepy (now we know why none of the kids go swimming in the summer term!), only the first task over-ran for a minute or two more than needed. Light romance was touched upon yet wasn’t over-emphasised and the Yule Ball will please those that enjoyed the scenes in the book but audience members over the age of sixteen might find teens ogling each various other a tad dull (Hermione is very out-of-character and the scene does drag).

The acting of the adult cast is, of course, exemplary as continually. Alan Rickman’s Snape may only have had four or so scenes but he definitely made his presences known while Maggie Smith really captured all essence of McGonagall. Many people do miss Richard Harris’ Dumbledore but I found that Michael Gambon has done an excellent job of moulding the role to put together it his own. In GoF, Dumbledore feels very human in the way he carries the weight of the wizarding world on his shoulders and though he struggles at times, his concern for his pupils is paramount. I finally felt the close rapport between Dumbledore and Harry in this film that is missing in the previous three HP flicks. However, the prize has to head to Brendan Gleeson for his scene-stealing depiction of Mad-Eye Moody. Gleeson clearly enjoyed illustrating Moody’s dangerous, feral edge.

The younger cast have also grown directly into their roles, improving from their previous outing. Rupert Grint, usually used to playing a comical and stupid Ron, had the chance to cut his acting teeth and show Ron’s darker, bitter side and he did well. The Phelp twins have also improved dramatically. No longer do they come across as wooden cut-outs just reading from a cue-card and instead they are able to show the mischievous spontaneity of the Weasley twins. And I look forward to seeing more of Matthew Lewis, who was great at showing Neville’s sensitive side without making him too klutzy. Out concerning the younger cast, though, Dan Radcliffe is the one who has progressed the most. In PoA, he was awful in the ‘he was their friend’ scene so he seems like another boy in the harrowing graveyard scene and the aftermath, depicting Harry’s anger, feelings of vulnerability and grief. He still stumbled turned on occasion in other scenes but I, at last, have faith he might be able to do the Harry of ‘Order of the Phoenix’ justice when the time comes.

The film did lose points on a few issues. Although most of the young cast have expanded their acting skills as they have gone on, Emma Watson is waning. She has a tendency of over-enunciating her lines and being too melodramatic, which worked in ‘The Philosopher’s Stone’ when Hermione is condescending and childishly bossy, but is just annoying by this point. She spent most of the film sounding as if she was on the verge of tears or in a hormonal snit, even in scenes which were not remotely sad or upsetting. There was also a choppy feel to the film, as if Steve Kloves struggled to properly condense the book into a two-hour film. Any who haven’t read the books will have missed quite a bit and those who have understand the books will feel the film is very rushed. Molly Weasley and the Dursleys were also missed, especially since I think Julie Walters would have been exceptional in the Molly/Harry interactions that take setting aftermath of the graveyard scenes of the novel as the film didn’t round off in a manner that reflected a boy had died and Harry would be traumatised by what he saw.

I think most Potter fans will enjoy this although they will remark your it could have been better. Non-fans will also get something from this film as I imagine it is hard not to be captivated by the many action and dramatic events but they may find themselves muddled by the story. I would recommend that parents of young children either keep away or, at the very least, scan out the film firstly before deciding if their child is old enough to cope with it. When I went to see it, there was a small lad of four or five being dragged along and in the middle of a particularly fearsome incident, the silence of the moment was cut by a wee voice crying, ‘Mummy, I’m scared’ so, parents, be warned.

Harry Potter and the Deathly Hallows ebooks analyze

*** This review may contain spoilers ***
I watched Harry Potter and the Deathly Hallows Part 1 and was very pleased with how well it stuck to the book. Because of this, I had high expectations for Part 2. I mean, if you did so well in the first half, you have to do just as well in the 2nd half, right? Right? Wrong.
The movie started off very well, starting from exactly where it left off in Part 1 so staying faithful to the book all the way to when Harry and co break into Hogwarts. That’s wherever it starts to go down hill.
*Spoilers!*
The good:
– Neville. He turned out to be perfectly perfect. I really wish they gave him more screen time because he was adorable.
– The Gringott’s scene. Very well done.
– The emotion we are shown out of Snape. Throughout the series, he’s been rather monotonous and emotionless. In the pensieve, we see a different side of him to it is a refreshing change.
– The battle at Hogwarts. It was intense and wonderfully done.
– Helena Ravenclaw. It was quite emotional and creepy. Although they did not tell us her back story having the Bloody Baron.
– Rupert Grint and Dan Radcliffe shirtless. That’s certainly a plus.
OK you know it’s bad when I resort to publishing about that.
The bad:
– They completely obtained out the scene where Harry and Luna go into the Ravenclaw Common Room, where they are ambushed by one of the Carrows. It appeared as if they would show it, as I hope they would (I’ve always wanted to read the other common rooms), but then they don’t. Hm.
– Fred’s death scene. Gone. Yup. They show his body right after at the end and don’t even give you time to grieve before moving on to the next scene. This is an insult to his character’s memory.
– Crabbe’s disappeared. Gets replaced by Zabini, and replaced in a separate way by Goyle.
– Snape’s memories are rushed and they take out various of the most interesting memories. They just go through a few of them quickly. I’ve always enjoyed the memories, because you’ll get to see life at Hogwarts through the eyes of someone else for a change, in a different time era.
– Hermione and Ron battle Nagini, and eventually Neville slays the snake. Eventually. It takes many time getting to that scene.
– There is not a single mention of Teddy Lupin. That is, until the end any time Harry suddenly knows about Lupin’s son. Weird, considering Harry would be camping in a forest and hadn’t heard of any of this.
– Collin Creevey is replaced by that ergodic Nigel kid.
– The students are not sent home. No, the teachers contemplate it’s OK to just lock the Slytherins in the dungeons and let everybody else stay and fight.
– Still no mention of the actual significance of the horcruxes. Hufflepuff’s cup is just a plain old cup that Voldy turned into a horcrux.
– Not enough interaction with characters other than the trio. Too much Harry. It’s because if everybody else just have cameos.
– Random scene where they blow up an individual of the bridges (ignoring the fact that there are like 2 other bridges that would take them into the school).
– Voldemort’s and Bellatrix’s death = explosion towards confetti!
– Percy’s on the good side completely of a sudden. No explanation at all (a reoccurring theme with Yates, don’t you think?).
– Harry does not fix his old wand under the Elder Wand. No, instead he takes the Elder Wand and SNAPS IT IN HALF. Is that even possible? I didn’t think so. So Harry breaks the wand and right after that chucks it into the abyss. Really Yates, really?
– All of the fun and cheerful dialogue including the future scene has been resorted to everybody staring and smiling at each other. No explanation once again. They don’t additionally say who’s who! Plus there is absolutely no chemistry between Dan and Albus Severus. And it was really awkward to see all of them all with old make up on.
– Goodbye Dumbledore’s back story!
– Too many attempts from one-liners and humorless jokes.
*End of Spoilers*
Harry potter and the deathly hallows pdf All in all of the, all of the personality and charm of the series was zapped away in an attempts to make this final movie is action-packed being possible. It’s a shame to see something that you’ve grown up with, learned to love, taken and twisted into somebody’s ‘vision.’ I mean, why bother adding your own unimportant scenes to the movie, when there are perfectly good ones in the book that you did certainly not bother using at all? There’s no…bonding with the characters, no connection with them you felt in Part 1. I did not feel the love for this movie like I had with the e-book. There was just so much significance that was left out of that movie, and it is such a shame. It had such potential to be a fantastic movie, and it fell short all because of the changes that were unnecessarily made.
See the movie, and I’m sure you’ll form your own view of it. It’s not a bad movie, just disappointing so unsatisfying for a die-hard fan who’s been following the books for 10 years of their life.

Buy evaluate: Harry Potter and the Chamber of Secrets by J.K Rowling and the Chamber of Secrets.

The second book in the JK Rowling series about a young, orphan wizard named Harry Potter begins shortly after his twelfth birthday at the end of July. Harry lives with their mother’s sister Petunia and her husband and son, Vernon and Dudley Dursely over a quiet street in Surrey.
However, Harry is not as normal as the rest of his family, and from September until June he world in a huge hidden castle somewhere in England called Hogwarts. Hundreds of other boys and girls live at Hogwarts too, where together they are all learning magic. Some of them are from wizarding families, whilst rest grow up knowing nothing of the magical world and receive letters on their eleventh birthday telling them that those funny abilities they’ve always had are in fact impotent magical powers.(harry potter and the chamber of secrets pdf)
It is Harry’s second year at Hogwarts and there he has two very close friends Ron Weasley and Hermione Granger, a full blood wizard and muggle crafted respectively. After the shocks of Harry’s first year at just Hogwarts, where he discovered that the man who murdered his parents is living, albeit a kind of half life, draining the life from others, and seeking a way to come back himself back to his full health and power. This man’s name is Lord Voldermort.
In the second book we begin to gain an insight into Voldermort, because Harry, without realising it, drifts into the memories of his nemesis through an enchanted diary. Harry is not the first person to possess Voldermorts memories however, when fact Ron’s younger sister Ginny, who is in her first year at Hogwarts, has been pouring her heart out into the pages of the diary for months and the diary, disguised as a looking after ear to Ginny, has been using her life to become more and more powerful himself. As Voldermort’s power offers grown he has used Ginny to unleash a deadly terror upon Hogwarts, an unknown killer that seems untraceable and leaves his victim’s paralyzed by fear.
Harry meanwhile, starts out to hear menacing voices, voices only he can hear and strange messages begin appearing across their school proclaiming that any student not a full-blood wizard will die and that the “Chamber of Secrets” has been re-opened.
Together, Harry, Ron and Hermione begin to investigate, trying and discover what the Chamber of Secrets is, and what could possibly be attacking the students. Whilst in an individual of the memories locked in the diary Harry learns that his part giant teacher and friend, Rubius Hagrid, was expelled from Hogwarts being a child for keeping a dangerous animal on the grounds. To Ron’s horror the two boys discover that the monster was a giant, man-eating spider, but even worse that he is not the one who offers been attacking the students.
Eventually Hermione is found paralyzed upon her way back from the library and a student is dragged into the Chamber of Secrets as one final sacrifice to the monster before Voldermort can finally be returned to full strength.
Harry finds himself, separated from Ron and additionally their brain-washed Defence Against the Dark Arts teacher who had accompanied him, in the caverns beneath the school and facing a huge, deadly snake, with nothing while his wand and a tattered old hat.
This book is more of a mystery than its predecessor; with a real air of intrigue and uncertainty about it. Yet it finds itself in a slightly awkward position, somewhere between childhood innocence and naivety furthermore darker teenage horror. In many places it seems a bit obvious and ham-fisted, Rowling seems to have opted for stereotypes rather than originality in these monsters also it makes it all a little contrived.
Unfortunately this is inescapable and dulls the intrigue and interest of the buy, in many ways this book came too soon, when the dark side of the magical world was still too undefined for readers for it to indeed be explored to the extent that it needs to be for this story. Yet it is a necessary part of the series and must be read in order to understand the following five books.
Over many ways the Chamber of Secrets opens doors to aspects of the Harry Potter series that will become hugely important later on, ideas about Voldermort’s past and his or her soul and even his choice to hunt Harry start to take shape and future relationships are hinted at.
However, when it comes down to it The Chamber of Secrets is most definitely the weakest of all the Potter books, the story line is predictable and the newly introduced characters are pretty stereotypical and just add to the aforementioned predictability.
The guides best asset is the stuff with Lord Voldermort and Tom Riddle, the finale in the Chamber of Secrets is far better than the rest of the book; which seems to exist largely of ridiculous filler moments, like an incident with a cat hair and some polyjuice potion, rather than slowly gathering information throughout the story to build to a climax. It is a shame that more time isn’t devoted to Tom Riddle and the mysteries of Voldermort’s past, nonetheless that is reserved for later on in the series. Without it however, this book sits more in the thriller/mystery section, despite its fantastical elements, and even seated there it’s not the best ebook on the shelf.
It executes have its positive points, of course, as the characters develop and the mysterious and fascinating magical world is built upon, getting stronger with every word. Where in the first book everything is new the other book builds on the already established understanding and really sets up the rest of series.
And, as with all the Potter books, it has a fantastic main character base, which create the whole read bearable and even enjoyable, ridiculous over-the-top incidents at flying cars and falling pudding can even be forgiven thanks to the humour of Ron Weasley and the irate madness of Vernon Dursely; not to mention it being the first moment we meet the wonderful house elf, Dobby.
All in all, not the best Potter book, particularly if you don’t like spiders and snakes, only it’s pretty easy to get through and will certainly definitely whet your appetite for the rest of the series.